Tile Panel on Copper Mount

This project came in as a damaged copper mount, that had been used to showcase a tile panel, and replacement tiles from the same manufacturer as the original tiles. As you can see in the photographs, the panel suffered significant warping along one of the edges. Straightening it out was outsourced to a metal specialist. Only after that was it realized that the new tile panel has a slightly larger dimension and would not fit. A new copper panel was made to the correct specifications and the new tiles were put into place with a restorer’s adhesive. The original copper mount had a substantial bracket that allows it to securely attach to a  wall. This was transferred to the new copper mount.

The tiles are from Sant’ Anna in Lisbon, Portugal, established in 1741.

Nautical Harbor Scene Finished

This painting suffered from a considerable amount of dirt particulates across the surface as well as a very thin and fragile canvas. Numerous holes had occurred along the edges, including one good-sized hole along the bottom middle, and canvas degradation had greatly compromised the edges of the canvas.

The painting was de-fit and carefully cleaned. We had hoped that cleaning would render the signature more legible, but this was not the case. New archival linen was adhered to the reverse to bolster the foundation. In-fill consolidated the holes along the perimeter and in-painting concealed these areas. It took three rounds of cleaning due to the extreme amount of particulates on the canvas, which also included fly specks that had to be meticulously and carefully treated by a scalpel. A new stretcher bar and new frame with sgraffito with an archival fit rounded out the restoration.

River Themed Watercolors

A couple of like-themed watercolors came in with similar issues. Dirt particulates across the surface of the font, and on the back acidic tape and adhesive had transferred acidic compounds to the paper which led to staining. As far as the watercolor paint, both came in with compromised portions. These parts were in-painted to return them to their original state. We prepare some before-and-after to highlight how dramatic this effect can be even for a watercolor.

The watercolor with the two fishing shanties is by Nathaniel Steinberg (1893 – 1976) and the watercolor with the dredge is by an unknown artist. We restored another Steinberg watercolor back in 2017 and you can that blog here.

UPDATE: LAMBRITE ILES PETERSEN HOUSE SECCO FRESCO 3-STORY ENTRYWAY

We are on to the challenging process of striping. We are using oil paints and have to contend with drying times so we’ve adopted the process of doing the same part throughout the whole entryway, and once that is complete we go back to the beginning which has since dried and start the next. The sloped walls and woodworking elements are an added difficulty for a process that requires a certain degree of finesse. We developed some helpful rulers to guide this process and we’ve also begun the color work in the Belvedere. Stay tuned for more…