Since our last post this maritime painting by Morse (1850-1921) has received a few new steps. A complete cleaning has been carried out on the surface. This lightened the color and made some of the paint and fly specks easier to see. The major and several tears were sutured from the reverse and pressed flat with blotters. We used a more substantial reline process, due to the severity of the tears. Mesh fabric, with restorer’s adhesive applied to both sides, were situated between the sutured areas and the new linen. The heat press adhered the layers under pressure and helped to flatten the surface. Next we’ll conduct another round of cleaning, and then touch up the tears with in-fill and in-painting before a final coat of conservation varnish. Stay tuned for more…
Antonio Jacobsen was born in Copenhagen, Denmark, on November 2, 1850 to a family of violin makers. At an early age he enrolled at the Royal Academy of Design in Copenhagen, and studied until his family’s money ran out. At the age 18 it was compulsory for him to join the Danish military forces, but he escaped and sailed for America.
Praised for his freelance sketchwork the Marvin Safe Company commissioned him to decorate their safes. This work transitioned into commissions from sea captains and shipowners, and then into Steamship companies that wanted to record their fleet.
In 1880, he and his family moved to Hoboken, New Jersey. Jacobsen’s work was strongly desired during his lifetime and it’s estimated that he executed some 6,000 paintings. His works can be seen in most major collections of maritime art including the: Peabody Museum, Salem, MA.; The Mariners Museum, Newport News, VA.; Seaman’s Bank for Savings, etc. He died in 1921.