This pastel and watercolor came in troubled by a few acid stains and loose pastel. A seal was applied to keep the pastel from moving, and chemistry baths neutralized the stains. Further protection was given by an archival mount and by incorporating oversized conservation glass. The frame is a custom Modernist Dutch with 12 karat white gold.
Born in West Bend, WI, in 1961, Charles Dwyer discovered his artistic leanings at West Bend East High School. Later he received a scholarship from the West Bend Art Museum and then went on to major in Fine Art at the Milwaukee School of Art and Design. He graduated as Valedictorian.
Directly after college, his work was featured in a one-man exhibition. With money saved from the show, he backpacked with friends through Italy, Austria, Germany and Greece. Dwyer recalls being most impacted in Vienna where the Austrian artists and the moodiness brought on by frequent rain moved him. To this day, the overwhelming beauty of Europe remains an underlying inspiration.
After his European sojourn, Dwyer pursued painting, conservation and restoration work in the Wisconsin. “This job was pretty influential in introducing me to all sorts of imagery and media like the spiritual, astrological, and classical.” explains Dwyer. “I did a lot of mural restoration, trompe l’oeil, marbleizing, and mosaic. This was one of the few jobs you could get and really apply your artwork skills to.”
Commissioned to create the official poster for Chicago’s ARTEXPO ’93, Dwyer has continued to experiment and push the borders of art making, most recently reinterpreting the techniques of printmaking and photography. His spectacular, original works on paper and canvas, which incorporate such diverse techniques as oil paint, pastel, collage, and fabrics, make Dwyer one of the most important living American artists of our time.