We were very happy with how our original frame turned out and with how it paired with the Hoerman Grand Canyon landscape. The quality that struck us about the painting were the layers of geological progression receding into the distance and how the cloud gave commonality to both the progression and also the distance. We took this quality, and within the American Impressionist vein, simplified it in our corner design with what we’re calling “Mountains and Leaves.” We were also pleased with how the richness of the 22K gold picks up the red tones of the Grand Canyon and gives a warm, open, and inviting quality.