We’re excited to showcase some of the Koepf paintings that been restored and housed in our custom frames. In case you’re not familiar with Werner Koepf (1909-1992), we are in the process of changing that: by working with the Koepf estate we are restoring and framing the collection and then jointly pursuing auction. The paintings included below not only exhibit the range of Koepf as an artist, but they also give us the opportunity to use our own framing prowess to marry the painterly qualities in a way that enhances both.

Naugatuck River Valley measures 36″ x 18″ and it received a Whistler 314 frame.

This triptych comprised of Still Life, Industry, The Catch, all received Modernist Dutch frames. Each painting is about 18″ x 30.”

Wellfleet (Cape Cod) received a Modernist white oak frame. The painting is 24″ x 30.”

Dry Docks #5 received a Marin Modernist frame. The painting is 40″ x 26.”

Werner Koepf was born in Neckarsulum, Baden-Württemberg, Germany and emigrated with his parents and brother to the United States in 1929. During the Great Depression he worked as a house painter. In 1937 his work was prominently mentioned in the New York Times’ review of The Society of Independent Artists 19th Annual Exhibition. With his talent he gained many connections in the art world: Morris Kantor, a trustee of Contemporary Arts arranged three scholarships for Koepf at the Art Students League from 1937-1939, and Daniel Catton Rich, the Director of Fine Arts at the Art Institute of Chicago paved the way for his inclusion in the Institute’s 52nd Annual Exhibition of American Paintings and Sculpture in 1941.

Koepf served in the US Army during World War II. Starting as a translator, between 1942-1945, he was then transferred to the European Theater where he served with the 496th Heavy Automotive Ordnance Company. In November 1945, he returned to the United States and settled in Derby, Connecticut.

In 1952 he was accepted into Yale University where he was awarded the prize for outstanding achievement in the School of Fine Arts for 1952-1953 by Josef Albers. Maintaining his European contacts, Koepf showed numerous paintings, including one man shows in Paris, Stockholm, and Bremen.

Werner Koepf died at his home in March of 1992.