Porte St Denis by Édouard Cortès (1882 – 1969) suffered from scuffs and surface contaminates. The scuffs had resulted in paint loss and were visible when the back of the canvas was held up to light. They appeared as little pin pricks.
The painting has been de-fit and cleaned. Consolidation and in-fill will handle the areas where there were scuffs. In-painting will conceal these areas. A final application of conservation varnish will preserve the artwork for years to come.
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Edouard Cortes was born into a family of artists and artisans in Paris, 1882. His grandfather, Andre Cortes, was famous for his work on the stained glass windows of the Cathedral of Seville and his father, Antonio Cortes, was a painter at the royal court of Spain. In this artistically conducive atmosphere, Edouard showed exceptional talent early and decided at a young age that he was destined to be a painter. He once stated, “I was born from and for painting.”
In his youth, Cortes trained at his father’s studio and was also given advice and encouragement from his brother (also a painter) and other local artists. Surprisingly, before undergoing his formal education at the National French Art School in Paris, a sixteen-year old Cortes first exhibited his work at the national exhibition of the Societe des Artistes Francais in Paris, 1899. His large painting, Le Labour, was a great success and the French press lauded the young phenomenon of the French art scene.
Edouard eventually became a member of the French Artists’ Society, exhibiting his works every year as his reputation began to grow. In 1901 Cortes began his long tradition of painting different vignettes of Paris. He also painted familial interiors, landscapes, and seascapes but achieved his greatest fame through these masterly and expressive Parisian scenes. In 1915, he was awarded the Silver Medal at the Salon des Artistes Francais and the Gold Medal at the Salon des Independents. He also received numerous awards at the Salon d’Hiver during his artistic career.
Cortès’ beautiful depictions of Paris were always in demand and he continued to paint them until his death in 1969.
