EDUARD CHARLEMONT PORTRAIT PART 5

Five months ago the Charlemont portrait of two boys came into our studio. With restoration complete on the painting and the frame, we delivered the artwork back to the client; happily, with a day when the snow wasn’t too bad. Once we safely carried the painting inside and navigated the staircase, we used new hardware in the wall and on the back of the frame to secure the portrait in place. The accent light was the client’s original, but we managed to help it with some cleaning. In fitting the portrait in the frame we chose an archival option with brass mending plates that are stronger and non-invasive, a much better option than the original mechanism. It’s with these larger jobs that require a diverse set of restoration skills that we get a great sense of joy and heartfelt warmth. We were very happy to be of service.

Regarded as one of Eduard Charlemont’s (1848 – 1906) greatest works, a set of three murals for the Burgtheater, the Austrian National Theater in Vienna, proved hard to find during our research, both in terms of a description and as photographs. In corresponding with the Burgtheater we came by the knowledge that the murals at the end of WWII had unfortunately been lost in a fire. Originally, they hung in the first intermission room. Two depicted scenes from Antiquity, and the third drew inspiration from Shakespeare’s A Midsummer Night’s Dream, which we learned from the surviving sketches that would have been used as guides for painting the mural.

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