Mick Jagger 138 by Wandy Warhol in Custom American Vinyl Frame

This is one of the 10 Warhol prints of Mick Jagger that were done in 1975. Warhol and Jagger had met in 1964 at a party in New York during the Rolling Stones’ first US tour at a time when both parties were beginning their rise to fame. They would go on to become close friends and to collaborate several times during their careers, including the Rolling Stones cover for Sticky Fingers that Warhol designed.

This print is known as Mick Jagger 138 and had unfortunately not been archivally hinged. Due to this, there were 16 places were acids had migrated from cardboard fillets and affected the internals of the framing. The frame was also not sealed, and over time air-borne contaminates had made their way inside.

After a careful de-fit the print was dipped in chemistry solutions to neutralize the acid contaminants and then dried flat with blotters. Archival hinging techniques and materials then placed the print in a our new, custom American Vinyl Frame that swapped the original frames silver color for a more arresting black that accentuated Jagger’s eyes and hair. To top off the framing, an 8-ply white rag with foam core and museum glass and an extra deep fillet were going. We’re very glad to get Jagger back into rockin’ shape.

Louis XIII and Modernist Frame

A pair of custom hand-carved frames were prepared for a client. The first was done in the Louis XIII style with hand-carved corners and 23 karat gilding. The second was done in a Modernist style and also gilt with 23 karat gold. Together these frames show a diverse aesthetic palette while containing some of the same elements. This is the beauty of frame-making: subtle changes finely-tuned by hand to maximize the presence of the painting.

 

Moonlight Over Everglades Painting

This unsigned painting unfortunately had a book placed on it which resulted in several large tears. The linen was extremely dry, and dirt particulates covered the surface.

After defitting the painting an extensive suture operation stabilized the tears. New archival linen was adhered to provide foundational strength and deep, careful cleaning was carried out before in-fill and in-painting concealed the areas of loss. Conservation varnish to finish.

 

Finished: Plat Map of A.G. Spalding Land Association

Along the edges of the plat mat we discovered that wood glue had been used to glue many weak areas of the paper. This was carefully reversed by softening the wood glue and then scraping it from the vellum and the fabric. Once the map was removed from the muslin it was treated with chemistry baths to neutralize and lift the acid stains. Paper repairs were then administered at the areas of loss, incorporating new paper of a similar quality. Some delicate in-painting returned degraded color to its original strength. Re-lining helped to improve the overall structural integrity.

During our research we learned that A.G. Spalding bought the tract of 773 acres from the Harvey Land Association, and this combined with a previous adjacent tract, brought his total to 903 acres. An article in The Economist stated that Spalding was poised to improve the area with graded streets, sidewalks, trees and other landscape adornments “calculated to make it attractive.”

Albert Goodwill Spalding was an American baseball pitcher, manager, and executive in the early years of professional baseball. He co-founded the A.G. Spalding sporting goods company, and following his retirement as a baseball player, he became the president and part-owner of the Chicago White Stockings. He would later call for the commission that investigated the origins of baseball and credited Abner Doubleday with creating the game. He also wrote the first set of official baseball rules. He was inducted into the Baseball Hall of Fame in 1939, a posthomous honor, having passed in 1915 at the age of 66